"Overall, Underworld: Awakening achieves what it set out to do, which is build on the story and world of the previous Underworld movies, while still creating an exciting and visually stimulating supernatural spectacle!"
Action, Horror and Fantasy
Starring – Kate Bekinsale/Selene, Steven Rea/Doctor Jacob
Lane, Michael Ealy/Detective Sebastian, Theo James/David, India Eisley/Eve,
Charles Dance, Kris Holden-Ried/Quint
Directors – Måns Mårlind and Björn Stein
Writers – Len Wiseman, John Hlavin,
J. Michael Straczynski and Allison Burnett
Rated R – for strong violence, gore and language
1 hr., 28 min.
Thanks to a New England snowstorm last weekend, I had to
wait a week before seeing Underworld: Awakening. For reasons I can’t fathom, my
local theater did not have the film showing on any of its ten screens, so I was
forced to trek to a slightly more distant cinema to see it. Worst of all, this
theater has no stadium seating and they were only showing Underworld: Awakening
in 3-D! I don’t hate 3-D, but of the four films I have now seen in 3-D, I can
honestly say that the process added little to nothing to any of these films.
Fortunately, despite all these seemingly opposing events, I still enjoyed
Underworld: Awakening immensely – with one caveat, which I’ll get to at the end
of this review.
Underworld: Awakening is a sequel to Underworld: Evolution
(2006) and takes place twelve years after “The Purge”. A prologue to the movie
tells us that six months after Selene gained the powers of the Vampire-Corvinus
strain and she and her lover Michael Corvin killed the remaining elder
vampires, the human race discovered the existence of Vampires and Lycans, which
began a worldwide purge of their species. Selene and Michael are captured by a medical
corporation Antigen and frozen in a cryogenic state for study.
Twelve years later, Selene escapes the medical facility, but
soon after begins having visions, which lead her to a vampire David, the son of
Thomas, a Vampire Elder who leads one of the few remaining vampire covens that
remain hidden from humans. David helps Selene rescue a young girl from Antigen,
who Selene sees in another vision. Selene and David fight a group of Lycans,
who are also after the girl, but she is injured in the fight. The girl, who is
another hybrid, is not healing, so David takes her and Selene back to his coven
to be looked at by a vampire physician.
Thomas blames Selene for the human’s discovery and
extermination of vampires, so he is anxious for her to leave his coven, but
David wants Selene to train his coven to defend themselves against both the
humans and the increasingly violent Lycan race. Dr. Jacob Lane, the director of
Antigen, was using the hybrid girl to develop an "antidote" to make Lycans
immune to the deadly effects of silver and enhance their physical abilities. The
girl, dubbed by Lane “Subject 2”, needs the hybrid genetic code to achieve
this, so Lane sends a super-Lycan Quint with other Lycans to the vampire coven
to recapture her. A battle ensues and many of the vampires and werewolves are
killed, but Quint dispatches and nearly kills David before leaving with the
hybrid girl. Selene heals David with her “immortal” blood and they depart to
confront Lanne, Quint and the minions of Antigen.
To start, Underworld: Awakening is even more reliant on
action and violence to carry its plot than any of the other three films. I
assume that the filmmakers knew that anyone going to see a forth film in a
series is going to be familiar enough with the Underworld mythology to not need
lengthy bits of narrative to understand the whos, whats and wheres of the
story. Even after having just watched the previous three films a few months
ago, I was still a bit dazed by how briskly the plot points of Underworld:
Awakening are gone over. I was able to keep up with the basic reasons for why
Selene was motivated to rescue “Subject 2”, but I would have liked a bit more
space between the action sequences to add some depth to the motivations of
Selene and the other characters in the film.
Still, the action sequences are the main draw of the
Underworld films and Underworld: Awakening does not disappoint in this regard.
The opening sequence of Selene’s escape from the high-rise medical center is
amazing. Selene demonstrates her uber-vamp powers on numerous occasions, where
she seems almost to defy the laws of gravity. The Lycans in this film are very
impressive, but the super-Lycan Quint – who is easily nine feet tall – is an
amazing creature to behold. If I have any complaints about the special effects
at all is that at times they are moving so quickly that you have little time to
admire their detailed effectiveness.
Måns Mårlind and Björn Stein, who previously directed the
supernatural thriller Shelter (2010), do a fine job recreating the
dark-monochromatic look and feel of the previous Underworld movies. Len
Wiseman, who previously directed the first two movies – Underworld and
Underworld: Evolution – as well as having a hand in the story for all three
Underworld films, wrote the initial screenplay for Underworld: Awakening. The
three other writers, most notably J. Michael Straczynski of Babylon 5 fame,
stepped in for rewrites, but there is so little narrative that is carried by
dialogue, that I have to wonder what, if any contributions he or the others
made to the script.
Kate Beckinsale steps back into the role of Selene after six
years effortlessly. Her cool, hard, but still quiet deadly passion fills the
screen for most the film’s short 88 minute run time. I do miss her interaction
with her Lycan lover Michael – who only makes a brief appearance at the
beginning of the film – and the leading male role of the vampire David played
by Theo James is little more than male eye-candy. Veteran actor Charles Dance
as the Vampire Elder Thomas adds a nice bit of gravitas to the film and Stephen
Rea as Dr. Jacob Lane is quietly sinister as the head of the medical
corporation Antigen. If Kris Holden-Ried, who plays the super-Lycan Quint, looks
familiar, it is because he plays a similar supernatural creature on the TV
Series Lost Girl. Holden-Ried’s facial features and physicality certainly add weight
to his role as the ferocious uber-Lycan, but I wonder if he is in danger of
being typecast in a way similar to that of actor Ron Perlman.
Overall, Underworld: Awakening achieves what it set out to
do, which is build on the story and world of the previous Underworld movies,
while still creating an exciting and visually stimulating supernatural
spectacle! The one caveat with the film that I hinted at at the outset of this
review, is that the film has a tenuous conclusion that leaves me wondering if
the writers had planned on a longer movie, but didn’t have the budget to film
it. Underworld: Awakening is in definite need of a sequel to finish the many
plot-threads that were left dangling at the end of the movie. While I’m glad
that the film should be financially successful enough to warrant a sequel and
I’m sure I’ll be attending it as well, it might have been nice if Underworld:
Awakening could have had a stronger finish that would not necessarily required
one.
Underworld: Awakening is a wild ride and a worthy addition
to one of my favorite supernatural fantasy series! See it now or later, but
don’t miss it.
TECHNICAL: Acting – 9 Directing – 9 Cinematography – 10
Script – 7 Special effects – 10
VISCERAL: Visual – 10 Auditory – 9 Intellectual – 7
Emotional – 9 Involvement – 10
TOTAL RATING: 87
