WICKED COOL GHOUL INTERVIEW!

I just read the most boffo socko article and interview of Ron "The Ghoul" Sweed ever! Detroit's Metro Times had a cover feature story by Anita Schmaltz on my favorite bearded maniac, The Ghoul! It briefly detailed the history of Detroit's love of all things Ghoul, then segued into an interview with Ron's mom, Ron himself and his current wife.


Here are some great quotes from Ron's mom Irene Barnard:

"Ron was very different right from the time he came out of the chute. It started out when he was about 3, maybe 4 years old. His grandfather took him downtown to see Santa Claus, and he was going to buy him one Christmas present, like maybe a football or a baseball or a catcher’s mitt. Ron picked out a hand puppet, and he couldn’t be dissuaded to give that up. As early as that, he wanted to entertain."

"He and a bunch of kids one day went to the neighboring show which was, oh, maybe a half hour’s distance from our house. And the matinee show should have been over maybe 4 o’clock, maybe 4:15, and I waited, and I waited, and I began to sorta worry, then, all of a sudden, I see this crowd of kids come walking down the street, and I knew ... Ron is in the middle of this crowd, and he was. What had happened ... this was some sort of a fright show at the Shore Theater in Euclid. Unbeknownst to me, he said this was tossed into the rubbish. It was a gorilla suit, and he wore it coming home. He said that it was just thrown out in the trash. I was very gullible. I believed that. That poor guy lost his gorilla suit. This is how he met Ernie Anderson"

Here is a great quote from Ron's wife Mary Terese Matousek:

"It’s just been amazing to me. The first time I saw him, he was at a small club (in Cleveland). It was like a Thursday so there weren’t a lot of people. But we went to Detroit, at the Magic Bag, the first time I saw him do a big live show. It was amazing to see how the people responded to him. I mean, literally, his foot hit the stage, and everybody in the whole place just got to their feet. It sent chills up and down my spine."

Here are some great quotes from Ron "The Ghoul" Sweed himself:

"My friends and I went to a afternoon matinee of [in a carnival barker’s tone] “Dr. Silkini and his live stage show of horrors, on stage in person, the Frankenstein monster, Dracula, King Kong and 45 horror movies,” you know, all in one afternoon. Well, hey, can’t pass that up. You know, that’s almost as good as Christmas. All the kids are screaming, throwing popcorn at the Frankenstein Monster. We weren’t very kind 13-year-olds … Then the show was over, so we took this short-cut home which was through a back alley. Silkini was loading up to go home. It was his misfortune to have left an open trunk with a gorilla suit there."

"I always had a fascination for gorilla suits. You know, The Three Stooges always had some gorilla in it, some of those old B-movies. Yeah, look around, there’s no Dr. Silkini, Hot damn! I got a gorilla suit. … We were walking from one street to another to get to our street just gathering more people, 'Hey, a gorilla! Look at that!' "

To read the entire Metro Times article on Ron Sweed  go to http://www.metrotimes.com/editorial/story.asp?id=2251 and tell 'em "Doc" Freak sent ya!

I, ZOMBIE - A NEW TAKE ON ZOMBIE COMICS

I’ve been reading lots of wicked cool horror comics lately, but a new comic that has a unique feel to it is I, Zombie published by DC’s Vertigo line of comics. I was drawn (no pun intended) to this title by Mike Allred’s art, as I’ve been a long-time fan of his Madman comics for years. However, once I read the first issue of I, Zombie - a bargain at the introductory price of just $1.00 – I was even more impressed by the subtle writing style of Chris Roberson. Roberson gradually introduces you to the setting (Eugene, Oregon), the main character (Gwen Dylan) her occupation (gravedigger) and her unusual friends (Ellie – a ghost - and Scott: aka: Spot – a were-terrier). Not until the end of the first issue is it confirmed that our P.O.V. character Gwen is a zombie and that she needs to eat a fresh human brain at least once-a-month or she will go all “Night of the Living Dead”. Unfortunately, eating recently deceased human brains has a nasty side effect for Gwen – other than their foul taste: She is overcome by the dead person’s recent memories. In the case of her most recent meal, those thoughts include his murder and she finds herself compelled to find his murderer. I, Zombie is a unique blend of horror, mystery and humor that I recommend to fans of any of these genres. Check it out freaks!

Check out a short preview story introducing Gwen and her friends from I, Zombie, that was originally published in The House of Mystery Halloween Annual last October.

HELLBOY IN MEXICO!

Hola, mis amigos! It’s been a long time since I’ve updated you cool ghouls on the wicked pissa shiznit that I’ve been down with lately, but you’ll have to trust this freak when he tells you I have been keeping busy! I’ve read mucho comic books over the years, but one of my hands-down favorites has been Mike Mignola’s Hellboy comics. I have been a fan of big red since his first mini-series Seed of Destruction was first published in 1994! Most horror fans probably are only familiar with Hellboy, and its spin-off comic series B.P.R.D., from the Guillerom del Toro directed films. So you noobs will have to take my word for it that the Mignola written comic books are way bitchin’ better!

A malos buena introduction to Hellboy just came to a comic book store near you! It’s Hellboy in Mexico - a one-shot comic written by Mike Mignola and drawn by Richard Corben! It tells the story of Hellboy’s “lost weekend” in Mexico back in 1956, when he was still a young demon in the employ of The Bureau for Paranormal Research and Defense. He is sent there to investigate stink holes from Hell that are spewing up monsters that wipe out whole towns in Mexico. Soon, he runs into three brothers who are masked wrestlers, or luchadores, who were sent by the virgin Mary to fight monsters! For a month, Hellboy joins los tres luchadores: kills monsters by day and parties hardy by night. Tragedy strikes one of the masked brothers one night and it is up to Hellboy to put things right. I am only a casual fan of Mexico’s masked wrestlers, but I have watched several El Santo films (El Santo is considered the most famous and iconic of all Mexican luchadores – the Hulk Hogan of Mexican wrestling isn’t even a fair comparison). I was jazzed when I first read that Dark Horse comics was finally going to publish a story about this undocumented adventure of Hellboy! Although only 26 pages long, Hellboy in Mexico packs a lot of action, humor, horror and pathos into this story! Please do yourself a favor horror fans and buy this comic!

Here is an excerpt of an interview with Hellboy creator Mike Mignola on writing Hellboy in Mexico:

EDITOR: So what brings Hellboy south of the border?


MIGNOLA: Something really bad was going on down in Mexico, so the B.P.R.D. sent Hellboy. The story takes place back in 1957, and back then HB just went where the Bureau sent him, that was his job.


EDITOR: Mexico has such rich folklore, especially in regard to the supernatural. How much research did you do for Hellboy in Mexico?


MIGNOLA: Almost none. This isn't one of those stories that's heavily folklore based. I did find out that down in Mexico vampires sometimes take the form of turkeys. It was a challenge working that in.


EDITOR: Hellboy in Mexico reunites you with artist Richard Corben, whom you've worked with on previous Hellboy series. Are you excited to be working with Richard again? What is it about Richard's distinct style that seems such a logical fit for Hellboy?


MIGNOLA: Hard to say. Stylistically he's not much like me, but he's just great. He can draw anything and is especially great (I think) at stuff that is crumbling at the edges, stuff that's dented, banged up, dirty, and overgrown. That was a feel that was very important to have here as it was in The Crooked Man.


EDITOR: Hellboy has been to a lot of different places in his travels. Russia, England, even the backwoods of the American south. Where else in the world would you like Hellboy to visit? Australia? Cleveland?


MIGNOLA: In my mind Hellboy has been every place at least once, it's just a matter of doing my homework about some of those more exotic locales (like Cleveland). Just about every place has some legend about a monster that needs fighting.


EDITOR: You've got several ongoing titles with Dark Horse (Ape Sapien, B.P.R.D., Witchfinder), but you'll always be best known for Hellboy. Is writing for Hellboy a more personal process for you than when you're working on other titles?


MIGNOLA: Hellboy is the most personal. He was the first, and I know his story better than I know all the others. Most of the other titles I just cowrite, which usually means just a few notes or phone calls from me. John Arcudi is doing all the serious heavy lifting on B.P.R.D. That book is great because of John and Guy Davis.


EDITOR: You've mentioned in prior interviews that you got into comics because you love drawing monsters. Do you write based on which monsters would be interesting to see in your books?

MIGNOLA: A few of the stories I drew myself were simply excuses to draw a particular monster. When I'm writing a story but not drawing it, I need a bit more of a story. And the beauty of that is that I can ask the artist to draw things I can't (or just don't want) to draw. That's the good thing about working with guys like Corben and Fegredo. They can draw anything

SHELFARI IS DA SHIZNIT!

Just a few short weeks ago I discovered a haven for readers of books! Yes, books! Those magical collections of paper stuffed between fantastically painted covers that transport our minds into extraordinary worlds beyond the realm of our own ordinary existences! You’ll have to excuse me for getting all poetical… I’m wicked jazzed by Shelfari! Shelfari is a social cataloging website where users can build their very own virtual bookshelves and fill them with them with virtual books! That sounds kind of dull hunh? Well, you’re either an illiterate idler or you just haven’t tried this mother-booking tome-treasurer site out! Shelfari isn’t the only social networking site dedicated to book readers, it isn’t the oldest, or even the largest, but it is owned by Amazon and therefore can pull from its ginornormous catalogue of books for reference of covers, editions, printings and other useful stuff! Shelfari is similar to other social networking sites in that you can friend people that read the same wicked cool books that you do! You can also join discussion groups on topics that range the gambit of the great three genres: horror, fantasy and science fiction! I only just became a user of Shelfari a week ago and I’ve already entered over a year’s worth of the books that I’ve read on to my bookshelf. I’ve also added the book I’m currently reading (Changes by Jim Butcher – the 12th book in his kick-ass Urban Fantasy series about the wizard Harry Dresden). I’ve recently added some of the book titles that I plan to read, so that I won’t forget to buy the ones that haven’t been published yet, or I just haven’t gotten off my lazy lab-coated butt to the bookstore to buy yet. Yes, I still buy my books at an actual three-dimensional building full of paper books. I could be all cool and 21st Century and buy my books online (I have occasionally done this too – when I couldn’t find a rarer book at a store), but I like to spend time browsing through real books, chatting up real book readers and maybe even sipping on some cappuccino while checking out the latest issue of Rue Morgue. Try doing that online, freaks! When you do go back to your dark basements or shiny laboratories – or wherever the hell you spend all your time lurking on the ‘net – check out Shelfari at http://www.shelfari.com/ and do something bookbastic!

THE GHOUL - THE BOFFO SOCKO ZINGYEST HORROR HOST!

I had a seminal moment one June night in 1973. It was the first weekend of my summer vacation from Jr. Hell-school and I had noticed in the TV Guide that local UHF channel 56 was running a horror movie on Friday night at 11:30. I don’t remember the movie at all, but what I do remember is that before the film began, some weird looking guy - wearing a lab coat, beard and mustache, and sun glasses with a lens missing – stood on a messy set strewn with odd horror movie paraphernalia and spent the next few minutes telling us how bad the movie was that we were about to be subjected to. Before my young brain could process what it had seen, the movie began, but I knew that no matter how awful the movie was, I was staying glued to the TV to see more of this bearded freak. His name was The Ghoul and little did I know then that he would change my Friday and then Saturday nights for the next six months! In a time before cable, the VCR or the Internet, when fans of sci-fi and horror films wanted to watch a classic flick, we usually had to stay up late at night to watch. Thanks to The Ghoul, even when the film was a stinker – and The Ghoul ran more than his fair share of them – his zany antics more than made up for staying up till 1 AM. Little did I know how much history there was behind The Ghoul’s unique brand of horror hosting.

The Ghoul, who in 1963 was then only a 13-year-old kid named Ron Sweed, wore a gorilla suit to a live appearance of Ghoulardi. Ghoudlardi was a popular Cleveland television personality and early horror host, played by Ernie Anderson on WJW-TV. Ghoulardi took notice of the energetic kid in the costume and brought Sweed on stage. Ghoulardi invited Sweed to a taping of his show and over the next few weeks Sweed went from answering Ghouldardi’s fan mail to becoming Anderson's production assistant. Ernie Anderson left Cleveland and the Ghoulardi character for Los Angeles in 1966. Sweed left for Bowling Green State University, but did occasionally help out with the production of the Hooligan and Big Chuck show, which had replaced Ghoulardi’s time slot. When Ernie Anderson returned to Cleveland to film a television special, Ron Sweed approached him with a proposal to revive the Ghoulardi character. Anderson was not interested in returning to local television, but he gave Sweed his permission to play the character of Ghoulardi himself. Sweed shortened the name to The Ghoul to protect himself from the legalities of WJW, who still owned the rights to the Ghoulardi character.

Ron Sweed found employment for The Ghoul at Kaiser Broadcasting station WKBF-TV in 1971. Although he started it as a tribute to Ghoulardi, Sweed quickly grew bored with just imitating Ghoulardi and soon developed some of his own gags. Some have called his humor adolescent, due in no small part to his blowing up with firecrackers of models sent into him by viewers, but it’s appeal to teenagers tuning in late at night was undeniable. A particular favorite segment involved his degradation of a rubber frog named Froggy, who The Ghoul weekly would trick into all sorts of physical abuse. Other creations of the Ghoul were Spencer and Mongolia, which was a soap-opera parody featuring “your typical neighbors next door” in Parma – a predominantly Polish community. The Galloping Ghoulmet was a take-off of then famous The Galloping Gourmet show, which the Ghoulment usually featured recipes made up of kielbasa, cheese wiz and whipped cream. Ron pulled off a neat Peter Faulk imitation for his Ghoulumbo detective sketches. The Ghoul’s popularity in Cleveland grew so, that in 1973 Kaiser Broadcasting syndicated The Ghoul Show to Detroit, Chicago, Boston, Philadelphia, San Francisco and Los Angeles. The show’s “controversial” content was deemed inappropriate in Boston and was pulled from the air in less than a year. In Chicago, where Sweed had the thankless task of replacing the popular Svengoolie, he also failed. However, the Ghoul was huge in Detroit at WKBD TV-50. Despite the show's popularity, the permanent closure of WKBF by Kaiser itself forced Ron Sweed to relocate and The Ghoul resurfaced a couple of years later on independent Detroit station WXON TV-20, and on WKBF's successor station, WCLQ TV-61. The Ghoul would remain on the airwaves in either Detroit or Cleveland until 1985.

Finally, The Ghoul’s run seemed at an end, so Sweed returned to college to seek a degree as an English major and to get a job teaching. As fate would have it, The Ghoul made a triumphant return to the Cleveland airwaves in 1998 on WBNX-TV Channel 55, where he remained for the next six years airing on Friday, then later Sunday nights. The Ghoul currently hosts a twice-monthly paid subscription program on his web site theghoul.net. and sells DVDs and other Ghoul merchandise on theghoul.com/.

When the Ghoul’s last show on channel 56 aired in late December of 1973, I thought I had lost him forever. I had made several hours worth of audio cassette recordings of his shows and I entertained myself with them for a time. In 1976, I received a Fuji super-8 film camera as a graduation present, and the first film I made was a Ghoul movie; with my then best friend (also a Ghoul fan) acting as the Ghoul and myself acting as “camera four” and many other characters. We also made a video taped Ghoul show in 1984, which replicated the Ghoul’s program in even greater detail. Thanks to the Internet, I discovered that the Ghoul had been on the air much longer than the mere six months I had been able to watch him, and soon I was buying video tapes (and later DVDs) of many of the great shows that Ron “The Ghoul” Sweed had done over the years. I have since discovered many other horror hosts via the ‘net, but The Ghoul will always remain number one with this fan!