Wednesday, October 31, 2012

ZOMBZANY AND THE UNDEAD DOC FREAK: PART FOUR -- DOC FREAK GETS STUMPED

 
 
In the fourth part of Zombzany and the Undead Doc Freak -- which I've titled "Doc Freak Gets Stumped" -- Zombzany impatiently waits for Doc Freak to return from the store with his coffee. When Freak returns empty handed, Freak explains to Zombzany why he took so long and that he’ll have a fresh cup brewed up in a jiffy. Freak hurries off, but inquires how Zombzany likes his coffee to be prepared and Zombzany replies that he likes it with “two lumps of arsenic and a finger of type-O.”
 
While Zombzany waits still longer for his caffeinated infusion, he begrudgingly introduces the second feature of the horror movie marathon. Finally Doc Freak returns with Zombzany’s coffee and he proffers the coffee by prostrating his newly undead form before his necromancer master. Zombzany takes one sip of the beverage and proceeds to spit it out. He then removes an entire hand from the coffee cup and tosses it back at the now one-handed Freak.
 
Freak desperately attempts to reattach the extracted extremity. He finally gives up and resorts to fleeing from the angry self-professed King of the Zombies!
 
Enjoy Zombzany and the Undead Doc Freak: Part Four -- Doc Freak Gets Stumped.
 
 
HAPPY HALLOWEEN
FROM DOC FREAK AND ALL THE GUARDIANS OF THE GENRE!
 
 

Monday, October 29, 2012

IRON SKY – 2012 – AN IRONCLAD SCI-FI SATIRE


 
“Iron Sky is not a film for everyone, but if you are able to appreciate a science fiction satire that delves into politics, Nazism and some other uncomfortable areas, than I recommend giving it a try.”
Science Fiction, Action and Satire
Julia Dietze as Renate Richter, Götz Otto as Klaus Adler, Christopher Kirby as James Washington, Tilo Prückner as Doktor Richter, Udo Kier as Wolfgang Kortzfleisch, Peta Sergeant as Vivian Wagner and Stephanie Paul as the President of the United States
Director: Timo Vuorensola
Writers: Johanna Sinisalo and Michael Kalesniko
Rated R for language and some violence
Runtime: 93 minutes

Satire is one of the most difficult of all genres to do well; even more so when combined with science fiction, horror or fantasy. Parody is another of my favorite sci-fi sub-genres and these are sometimes, but not always satirical in nature. Science Fiction has been the subject of satire for years now. Some of my favorites include: Dark Star (1974), Galaxina (1980), Night of the Comet (1984), Galaxy Quest (1999) and The Lost Skeleton of Cadavra (2004).Of all of these, Dark Star is the darkest in tone and I think Iron Sky falls nearly into this level of dark comedy as well.
 
Iron Sky starts out in the year 2018, with America’s return to a manned mission to the Moon. We find out that the mission is done only as a publicity stunt for the President of the United States' re-election campaign. The astronauts discover a hidden Moon base, but before they can radio back to Earth, they are shot down by Nazi soldiers. Only James Washington escapes into the hidden base, but eventually he is captured and taken to a scientist for interrogation. Doctor Richter finds Washington’s smart phone and he recognizes that it is a computer that can be used as a control unit for their Nazi space battleship Götterdämmerung. When Richter tries to demonstrate the cell phone’s power to the new Führer, Wolfgang Kortzfleisch, the battery runs dry. Nazi commander Klaus Adler, offers to go to Earth on a secret mission to collect more phones for the future invasion. Earth specialist Renate Richter, Doctor Richter's daughter, volunteers to go as well, but when she is not allowed to go, she sneaks on board anyway. Washington is experimented on by Richter and turned into the perfect Nazi, so that he will assist them on their mission to Earth.
 
Landing on Earth, Adler finds the president’s aid, Vivian Wagner, and forces her to take he and Richter to meet the President. Meanwhile, Washington escapes and attempts to warn NASA of the impending invasion of Nazi’s from the Moon, but they don't recognise him and thinks that he's crazy, so he ends up becoming homeless instead. Wagner uses Adler and Richter as faces for a revamp of the President's re-election campaign, which looks a lot like Nazism, but is disguised as benevolent socialism. Growing impatient after months of waiting, Kortzfleisch sends his armada to Earth orbit and begins the invasion without the Götterdämmerung.
Like much satire, Iron Sky isn’t a film that inspires large laugh-out-loud moments, but it more than makes up for it with clever satirical messages. While some of the satire is obvious, such as the Sarah Palin look-alike U.S. President, much of it breezes by so fast that even the jokes that don’t work are more than balanced by the ones that do. Some of my favorite moments are between Washington and Richter; especially after the African American Washington is transformed into a blond white Aryan, minus the Nazi idealism.
 
Where Iron Sky really excels is the amazing special effects and visualization of the retro Nazi technology. The Moon base, the space ships and even the costumes are all slightly modernized versions WWII era designs. The amount of detail that went into the look of Iron Sky is amazing and worth watching the film for this reason alone! Still, there is a fairly complex and compelling story here, so it’s not just ninety minutes of flashy CGI.
The acting for the film is also quite good. Julia Dietze as Renate Richter is both lovely and brilliant as the Nazi “Earth expert”, conveying a certain naiveté and courageous individualism both. Christopher Kirby as James Washington manages to pull off a black man as a white man, without insulting either race, but delicately satirizing the flaws of both. Udo Kier as Wolfgang Kortzfleisch is the most well-known actor of the cast and he grounds his character in a weird reality that manages to make the rest of cast seem even more outrageous by comparison. Stephanie Paul as the President of the United States is the weakest of the cast, as she plays her character too big to be either funny or satirical.
 
Iron Sky is produced by the makers of Star Wreck: In the Pirkinning. It was produced by Tero Kaukomaa of Blind Spot Pictures and Energia Productions, co-produced by New Holland Pictures and 27 Films, and co-financed by numerous individual supporters through their web site. Director Timo Vuorensola, who also directed Star Wreck: In the Pirkinning (2005), does an admiral job of keeping everything from getting too silly and causing Iron Sky to go from satire into over-the-top parody. Samuli Torssonen, who was responsible for the computer generated effects in Star Wreck: In the Pirkinning, gathered a young team of European CGI effects people, who stepped up the quality to the level of much more expensive Hollywood productions. The fantastic orchestral score of Iron Sky incorporates elements from the operatic cycle Der Ring des Nibelungen, music which was favored by the Nazi leaders and the Slovenian industrial music group Laibach also adds some cool futuristic music to the film.
 
Iron Sky is not a film for everyone, but if you are able to appreciate a science fiction satire that delves into politics, Nazism and some other uncomfortable areas, than I recommend giving it a try.

 

TECHNICAL: Acting – 8 Directing – 9 Cinematography – 8 Script – 9 Special Effects – 10
VISCERAL: Visual – 10 Auditory – 9 Intellectual – 8 Emotional – 9 Involvement – 10
TOTAL - 90
 
 

Sunday, October 28, 2012

PODCAST OF THE MONTH! SKULL-FACE ISLAND!

Podcast of the Month for October 2012 is:
Skull-Face Island!
Skull-Face Island is a podcast that reviews the latest movies and talks about some of the most recent television programs. However, the format of the podcast is very unique.
Every podcast opens with this imaginative narrative, setting up the basis for the podcast’s reason for broadcasting every week: “In the year 1991, US Flight 1313 soared unknowing into its death. As the vessel sank into the ocean’s depths, three boys washed ashore on Skull-Face Island. Near death, pursued by vicious creatures, the boys stumbled upon shelter. Who built it and for what purpose, none could say. But, to their shock and amazement, a fifty-five inch TV glowed within, streaming every movie ever made. After twenty years, struggling for survival, they managed to repair the shelter’s communication devise. Perhaps someday they’ll be rescued. But until then, they’ll watch and discuss movies. Hoping, praying, you’re listening.”

Adam Frazier

Adam Frazier is the unofficial moderator, David Allen is his right-hand man and constant co-commentator, and Tim Grant is the mostly silent, but sometimes loquacious producer of the podcast. These three open each week updating their latest adventures of survival on the island.
They usually start the podcast with movie news that they get from their “geek-o-matic news machine”, which sounds as if it is running off a 56k dial-up modem. They also have faithful robot servant Mar-10 that does menial tasks for them and even filled in reading the news when the printer for the news machine went down. There is a mysterious red phone in the island hut and when Adam dialed 666 on it, they were connected to Satan himself. They occasionally get news and inside Hollywood info from Satan, who explains why there are so many bad films made every year.
The bulk of the show is made up of their featured film movie reviews. They keep up with all of the latest theatrical films, which they are somehow able to watch on their mysterious 55-inch TV. For these reviews, they often get in their “jammers” and rant or rave about these films. Their reviews are very opinionated, but fair and full of irreverent humor
Quite often they end their podcasts with a deadly game of movie trivia of the Gods’ choosing in order to satiate the bloodlust of the mighty Tu’Challa, a savage beast whose love of pop culture knows no bounds.
If you are interested in an entertaining, funny, yet informative movie review podcast, check out Skull-Face Island!
Or check out their Facebook page at https://www.facebook.com/SkullFaceIsland

Tuesday, October 23, 2012

ZOMBZANY AND THE UNDEAD DOC FREAK: PART THREE -- A FREAKY COFFEE RUN




In the third part of Zombzany and the Undead Doc Freak: Part Three -- which I've titled "A Freaky Coffee Run" -- Zombzany reluctantly introduces the first film of the marathon with his new zombie slave, Doc Freak, standing by his side in rapt attention. As Zombzany describes some of the grizzly details of the modern horror film that he found particularly repellent, Doc Freak begins pantomiming some of these atrocities, but Zombzany quickly silences his servant with a vocal command.



Sensing Zombzany’s irritation, Freak volunteers to go to the local convenience store to purchase some coffee for his master. Freak is in such a hurry to leave that he forgets to ask Zombzany some money, so he returns and asks Zombzany for some “scratch.” After explaining his request in language that Zombzany can understand, Freak leaves Zombzany’s Tomb in his quest for coffee.



Enjoy Zombzany and the Undead Doc Freak: Part Three -- A Freaky Coffee Run.



Sunday, October 21, 2012

THE DEAD – 2010 – A DEAD END




“I honestly can’t recommend The Dead as either an exciting zombie-horror film or as a compelling character-driven drama, so I reluctantly have to advise you to avoid The Dead because it is a dead end.”

Horror and Drama

Starring - Rob Freeman as Lt. Brian Murphy, Prince David Oseia as Sgt. Daniel Dembele, David Dontoh as The Chief, Ben Crowe as the mercenary leader, Glenn Salvage as a mercenary and Dan Morgan as James

Directors - Howard J. Ford and Jonathan Ford

Writers - Howard J. Ford and Jonathan Ford

Rated R for bloody zombie violence and gore

Runtime - 105 minutes


There have been so many zombie films made in past decade that it is more difficult than ever to do something different with the genre. I was interested in The Dead because it was billed as “the first Zombie Road-Movie set against the stunning backdrop of Africa, shot on locations in Burkina Faso and Ghana, West Africa.” That alone should have made it visually unique enough to make The Dead worth watching. Unfortunately, its unique setting is all that is remarkable about The Dead.


A U. S. Army engineer, Brian Murphy, is the only survivor of a plane crash off the coast of Africa. Murphy makes his way on foot to a seemingly deserted village and finds and fixes a truck. Getting the truck stuck in the mud, he is suddenly attacked by zombies, but is saved by an African soldier named Daniel. Daniel explains that his wife was killed by the zombies, but is looking for his son, who he told to leave the village during the zombie outbreak. Murphy and Daniel drive off together in the truck. Daniel agrees to drive Murphy to the nearest airport in exchange for helping him look for his son.



A film like The Dead, whose story depends so much on developing its two lead character's personalities and background, is also dependent on the strength of the two actors portraying those characters. Rob Freeman is a versatile character actor who has been featured in over a dozen genre TV programs in the past decade; most recently playing Coach Quigley in Smallville. He has also played supporting roles in Dark Angel, The Lone Gunmen, The Outer Limits, Strange World, Millennium, First Wave, Viper and The X-Files. Rob Freeman has appeared in feature films as diverse as Ten Dead Men, Shanghai Knights, Prozac Nation, New Blood and Saving Private Ryan. I have seen many of these TV series and films, yet I have no recollection of his characters from these roles. It might be a credit to his ability as an actor to disappear into his characters, but I unfortunately think it is more likely that Freeman is just not a very memorable actor. This could explain why The Dead is his first starring role in a feature film. Rob Freeman is perfectly serviceable in his role as a U. S. Army engineer, but he isn’t able to add any gravitas to his character and the entire film suffers because of it. So much of the film is spent with Murphy and Daniel wandering in the deserted landscape and discussing what might be happening in the rest of the world, that without crafting truly three-dimensional characters, the film just drags along.


A zombie film that features the slow-Romero zombies has to rely on character and dramatic tension to create suspense and horror. While the several zombie attacks that appear in The Dead are handled with great technical skill, they still lack any real emotional weight. Blame for this should go to director and writers Howard J. Ford and Jonathan Ford. Their directorial resumes are pretty slim: They consist of the low-budget thriller Distant Shadow (2000) and the even lower-budgeted crime-drama Mainline Run (1994). I don’t blame the lack of budget on The Dead being less exciting than bigger budgeted zombie films, because the master George Romero has proven that with a powerful script, a low budget can be overcome. The Dead may have been better if the script had explored more of the zombie-infested African setting - and to be fair, it does touch on this in small part. However, too much of The Dead is just our two protagonists wandering the landscape, looking for transportation and moping about missing their respective loved ones.


I honestly can’t recommend The Dead as either an exciting zombie-horror film or as a compelling character-driven drama, so I reluctantly have to advise you to avoid The Dead because it is a dead end.

TECHNICAL: Acting – 6 Directing – 7 Cinematography – 8 Script – 6 Special Effects – 8
VISCERAL: Visual – 8 Auditory – 7 Intellectual – 6 Emotional – 6 Involvement – 7
TOTAL - 69